Friday, May 9, 2014

Heathers: Painful Satire



Heathers directed by Michael Lehmann satirizes at great length the social issues and systems within High Schools as well as teen suicide and homicide.  As controversial issues that affect society to perhaps a larger degree today, such as how to approach teen violence and suicide and how to react to it, there is not a universal reaction or response.  Heathers approaches the topic of teen violence with unapologetic satire and jokes a-blazing.
            As the audience watches as a joke goes too far and the main characters Veronica Sawyer (played by Winona Ryder) and Jason Dean (played by Christian Slater) begin to kill other students who they deem to be awful people.  Veronica and Jason begin to kill not only to rid the school of bullies, but also to advance themselves higher socially.  They begin to take their anger and channel it in to violence in order to accomplish a higher order, which is to make the school a better place.  The issue with this is as soon as the main “Heather” is killed another takes her place and is just as ruthless as a bully, as soon as one of the other “cookie-cutter” Heathers is gone, than another steps up.  One criticism this movie takes in general is its lack of sensitivity to the killing and the deaths of the dead teenagers along Veronica’s and Jason’s path.
            Heathers addresses this very sensitive issue of teen violence with zero sensitivity, with over-the-top humor as the butt of the joke often falls on the victim.  While, this disturbs many people (and I quite frankly don’t blame them) this presents the audience with the perspective of the murderers and the psychopathic and joking manner of the crime.  This also provides the audience with the sarcasm and flaws of potential coping mechanisms of different people as we see the different adult reactions and ideas they have to console the students.  Heathers interestingly enough post-modernly references the outcast and angry character of Jason Dean to actor James Dean.  The Rebel without a Cause actor who often played confused and angry teenagers, provides the audience with a foundation and immediate reference point in relation by Jason Dean in Heathers.  Leading the audience to not demonize him as he immediately pulls a gun out in a cafeteria and shoots blanks at a bunch of jocks.  This connection has taken a legendary and fondly remembered actor and twisted the character in order to make the evolution of outcast child to become complete, causing the audience to not only relate to the character, but also to each viewer’s own personal experiences to the film.
            One reason many react very negatively to the film, is because the events in the movie hit too close to home.  A disturbing aspect of Heathers is that nearly any event in the film could be grounded in realistic terms today.  Willa Paskin in her article Nostalgia Fact-Check: How Does Heathers Hold Up? makes the point that  “The notes that the girls use as instruments of torture could just as easily be text messages; Veronica’s diary sure seems like a blog; Heather Chandler’s suicide note makes the rounds just like an e-mail; and all that bullying.”  Where anyone who had any form of the movie affect them in their actual personal life could react very poorly to the jokes and satire humor of Heathers and take the joke to heart, but the jokes seem to be merely a method of coping.   
            As most contemporary High School students have teen violence shoved down his/her throats, Heathers does not take a direct route in forcing a message down our throats, but rather makes jokes at the expense of the deaths of the victims.  Watching this movie with a contemporary audience many would be baffled and also likely to be upset to a degree; I think there is significant reason for this.  As teen deaths have affected many people today, reactions vary.  For some death needs to have a coping people, where others find it comforting to deflect, whether it be catharsis in some other activity or making a joke to ease the tension in order to achieve a level of comfort.  While the latter of the two may offend others, I think it is just a way to cope with issues.
            As the issue of violence surrounding schools has not deteriorated much since Heathers release, the film provides viewers with an interesting perspective and focus, which may upset with its unrelentless attacks on the issue and how it’s handled.

4 comments:

  1. Half of the things that happen in the film people would not be able to get away with now. The revenge that gets taken too far and results in a plan to blow up the school would never be allowed today after events like Columbine and 9/11. I don't think I have ever seen another film that shows teen violence through satire. You are totally right, this film shows zero sensitivity toward the issues in fact the song teen suicide becomes the most requested song in the movie.

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  2. I think you are right on point when you say that Heathers provides a coping mechanism that is not as well received in today's society. Shutting down and joking about the issues, while a totally valid method of coping, isn't a very popular one. And making jokes about the topics joked about in Heathers is a cause for suspicion in today's society where these issues have become so sensitive. This being said this movie still gets across the message that teen violence doesn't solve anything without having to spoon feed it to you in a sentimental way. This nihlistic approach adds comedic value to the movie as well as help reinforce this message to some degree, and its a much more interesting way to hear the same messages that are forced down your throat at school assemblies and public service announcements on the topics.

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  3. Mac, you never seem to fail in bringing a film reference to the table, and this reference is no less impactful. I think you're right about the James Dean reference. As is frequent within this postmodern age, this movie thrives on pulling at as many genre touchstones as possible -- the names seem carefully selected. Additionally, though this one may be coincidence, Christian Slater had played a character named D.J. in a TV show that ended in 1985. However, there are a couple instances after Heathers that Slater plays another J.D., probably as a reference to Heathers. It seems like this film was made timeless, and maybe even palatable for contemporary audiences, because of these personas and lexicons that Heathers carved. “Fuck me gently with a chainsaw,” “That’s so very,” Slater as this out-of-town misfit who seems to personify temptation (The actor has been arrested several times, many of which were gun possession charges. This is surely a coincidence, but it does seem to contribute to a character that outweighs the actor).

    As an unrelated side note, and one that lends further oddities to references in this film, here is a disturbing coincidence that I found in IMDB's trivia for Heathers: "Two stars of the movie died at an early age: Jeremy Applegate (Peter Dawson, whose character prays he will never commit suicide) committed suicide with a shotgun on March 23, 2000, and Kim Walker (Heather Chandler, who had the line 'Did you have a brain tumor for breakfast?') died of a brain tumor on March 6, 2001."

    It’s almost like this film as taken on a life in itself.

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  4. Slater's character is probably the bastard love child of James Dean and Jack Nicholson. Though I'm not sure that the audience ultimately relates to him--at least not for long. I think that part of the satirical punch of this movie is showing us exactly what it is we're relating to when we related to an anti-hero like this. This reads very well as a review. I'm not sure who you're referring to though in your focus of people whom this movie upsets. You don't cite any. Your classmates? Articles you've read? Or you? If _you_ found it jarring, say so. Rotten Tomatoes rates it at 95% critical response, 85% users. That's a pretty positive reception. Though I agree with Paskin, this movie probably wouldn't get made today--at least not in the same way.

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